Boston Musical Intelligencer – March 2010

March 2010
By Rebecca Marchand

“Jesse Blumberg’s Harlequin, like Gilmore’s Zerbinetta, managed to find that bizarre place between the ridiculous and the sublime that the opera demands. Through excellent diction and a measured portrayal, Blumberg brought forth a reality wherein clowns and princesses might chat over coffee.”

(Strauss: Ariadne auf Naxos at Boston Lyric Opera)